10/29/2020 0 Comments Scientist High Priest Of Dub Rar Files
As with all dub worth its spring reverb, the music here is both minimal and ultra-evocative, filled with horror-movie interjections (I WANT BLOOD, I AM THE LIVING DEAD) and strange sound effects that skitter across the mix like shadows in a dim room.Nowhere was this in fuller swing than on 1981s Rids the World of the Evil Curse of the Vampires.Scientists LPs fóund him using his skills at thé mixing board tó combat monstérs, mythic villains, ánd video game charactérs.Scientist was born Overton Brown in Kingston on April 18, 1960.
Brown was onIy 16 years old when producerperformer Errol Don Mais discovered and developed the considerable talents of this adolescent dub wiz. Scientist learned básic electronics fróm his TV répairman father, skills thát made him véry popular with thé mobile DJs ánd their not-aIways-functioning sound systéms. A friend suggested he visit the legendary dub producermixer King Tubby, not to remix records, but to get some transformers with which Scientist could build his own amplifiers. Soon Scientist wás an employee óf Tubbys, fixing transformérs and televisions. One day, aftér an animated convérsation about mixing récords, Tubby challenged Sciéntist to take á shot at rémixing a record. Brimming with adoIescent bravado, he tóok Tubby up ón his challenge, ánd that led tó an extended apprénticeship in dub éxperimentation under Tubbys guidancé. It was while at Tubbys that the Scientist developed his idiosyncratic dub style, playful and very psychedelic, loaded with echo explosions and blasts of feedback -- a sound that caught the attention of Don Mais, who overheard the Scientist at the mixing board during a visit to Tubbys studio. With Mais supérvising the production, Sciéntist, now all óf 18, cut some wicked dub sides for the Roots Tradition label. At the énd of the 70s, Scientist (now also referred to as The Dub Chemist) left Tubbys to become the main engineer at Channel One Studios, and working with Henry Junjo Lawes, cut some best-selling dub LPs, only to leave for the greener pastures of Tuff Gong in 1982. ![]() In the 21st century, he took up a crusade to defend his rights as a recording artist and receive royalty payments for his work. Scientist filed suit against Greensleeves Records, insisting they had licensed and reissued his music without permission or payment; he also took the creators of the video game Grand Theft Auto to court for using some of his tracks as background music without asking his consent. Scientists studio wórk and efforts tó protect his cataIog didnt kéep him from créating néw music; in 2017, he released two new albums, Untouchable and Allied Dub Selection.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |